• Robin Syversen


Updated: Dec 9, 2020

A 4-hour display of Japanese quirkiness spouting from every orifice!

Director: Sion Sono

Cast: Takahiro Nishijima, Hikari Mitsushima, Sakura Andô, Makiko Watanabe, Atsuro Watabe

Related films: Suicide Club, Norikos Dinner Table, Guilty of Romance

Verdict: 5/6

Introduction to Debauchery

Love Exposure was perhaps the most ambitious Japanese film to be made in the 2000s. It is a four-hour dramedy with a theme of upskirt photography, religious undertones, social commentary and quirkiness spouting from its every orifice.

The story is profoundly deep, and the execution is unlike anything you’ve ever seen. The countless bizarre and slightly perverted situations constantly balance on the edge of the ridiculous, but somehow the focus is always directed back at the main story.

In short, Love Exposure has got it all: A gripping love triangle, family tragedy, erotic voyeurism, catholic abuse, teenage angst and brainwashed cult members. It is no wonder the film made waves at film festivals around the world.

Love Exposure Facts & Reception

Love Exposure was written and directed by Sion Sono. It was released in Japan in 2008, and stars Takahiro Nishijima, who won the price for best new actor for his role at the prestigious Kinema Junpo Awards. Love Exposure was also awarded The Caligari Film Prize at the Berlin International Film Festival.

Plot Exposure

Yu is the first and foremost protagonist in Love Exposure. He is a typical androgynous Japanese teenage boy. Incidentally, he comes from a devout Christian home, which is not unheard of in Japan, but nevertheless somewhat peculiar.

Being forced by his lovesick father who is also a priest to give confession on a daily basis, Yu develops a pathological fetish for sin. And his «original sin» of choice is up-skirt photography.

Forgive me father, for «panchira» I must take!

His mother died when he was just a young boy, leaving him nothing but a tiny Maria statue. This leads Yu to search for his one perfect woman. Once he snaps the perfect panty-shot, he’ll know the girl whose panties they belong to will be his mate for life, his Maria.

Meanwhile the second and third protagonists in Love Exposure are Yoko and Koike. Yoko is a man-hating young woman who catches Yu’s eye. Koike is a devout cult member that plots to turn Yu, Yoko and their entire families into brainwashed imbeciles.

Then there is Yu’s father and step mother, Yu’s hoodlum panty-shot friends, the porn studio executives, the countless cult members, the nurses at the psych ward and the crazed panty-photography Sensei, all of which makes up the magnificent canvas that is Love Exposure.

So how does Sono manage to keep this interesting for four hours? By mixing serious issues and drama with the bizarre and ridiculous in brilliant manner.

Between the Panty Lines

The story touches upon heated topics such as child abuse and religious fanaticism. In particular, the cult aspect is controversial, as Japan has had its fair share of cult movements and devastating incidents. Most known is the sarin gas attack on the Tokyo subway system in 1995.

Love Exposure handles these issues masterfully by defusing the controversy with comedy. As such, Sono allows himself to dive deeper into the mentality of the cult than most filmmakers have dared before him. Every aspect is handled by the means of allegory, analogy and parody, but between the lines there are frightfully serious connotations to consider.

Yes master, I will bring thy holy animal crackers

Producing Love Exposure

As for the entertainment value, the first-hour buildup of the film is nothing short of phenomenal. Yu’s character development is as gripping as it is cleverly executed. The momentum of the narrative is well kept for the remaining three hours as well, but the first hour outshines the rest.

When it comes to acting performances, the three teenage protagonists are all perfectly cast. The teenage angst and emotions could not have been better portrayed.

The cinematography as a whole appears a bit hurried, though. Some will probably argue that this is how Love Exposure was meant be, with a certain touch of grind house antics to it, but that is no excuse for sloppy handiwork.

Take a look at Quentin Tarantino’s films, and you'll never find any signs of mediocrity, even when the cinematography gets sloppy on purpose. This is not the case with Love Exposure. At times the odd camera angles fail to convey the narrative in the best way possible, especially in high paced action sequences.

The fighting choreography could have been a lot better. Sometimes the action is just too far out and beyond the laws of physics to do the story any favors. Yes, this is a bizarre comedy of sorts, but it still has to adhere to the confines of the film’s established universe.

Well F you too, Mr. movie review guy!

Exposed plot holes

Finally, there are quite a few plot holes that make Love Exposure slightly miss the bulls-eye. (Spoiler alert!) For one, Yu could have easily avoided the entire situation with the cult by making a few tactical phone calls at the right moments. He realizes this later on, but his dawning realization is just so annoyingly slow that you can't help but feel that he somehow deserved what he got.

It is equally annoying when he decides to reveal his true identity, instead of exposing Koike for the fraud that she is. If he had kept this information hidden a little longer, Yoko would have denounced Koike and probably beat the s**t out of her too … (Spoiler end)

The last line of speculation is wishful thinking of course. Safe to say, Yu had much of his unfortunate happenings coming to him, being that he proves to have most of his brain cells stored below the belt.

(The remarks in the last paragraphs are tiny specs of critique in the grander scheme of things though, which is why the verdict went from four to five on the dice when re-watching the film for the second and third time.)

Final verdict of Love Exposure

Love Exposure has so much going for it that slight annoyances are easily forgotten. Anyone interested in Japanese cinema owe it to themselves to check out this display of inhibited cinematic creativity.

The storytelling possesses an unholy charm that can only be provided by Sion Sono. Sloppy and hurried cinematography aside, it will certainly stand the test of time. Check out Love Exposure today. Chances are you’ll have an experience that will not be forgotten … Ever!


Filmed in Ether: Love & Perversion: Sion Sono's «Hate» Trilogy

Mubi: Upskirts for Christ: A Discussion about «Love Exposure»

Screen Anarchy: Love Exposure: Another Take

110 views0 comments
JCA - Robin Syversen

M.Phil: Japanese Culture Studies
Thesis: Rearticulating Japanese Cinematic Style
Guest Lecturer: Japanese film history (UiO)
Film blogger: Z Film Quarterly

  • Japanese Cinema Archives Pinterest
  • Japanese Cinema Archives Twitter
  • Japanese Cinema Archives Facebook
  • Japanese Cinema Archives LinkedIn

© 2019 JCA

Join My Mailing List